fylatinamericanhistory:

social-blog:

For more than 30 years, the former town of Potosi resided underwater after it was flooded.

This is in Venezuela. The town was flooded in 1985 to make a dam, parts of the town reemerged in 2010 during a drought.

fylatinamericanhistory:

social-blog:

For more than 30 years, the former town of Potosi resided underwater after it was flooded.

This is in Venezuela. The town was flooded in 1985 to make a dam, parts of the town reemerged in 2010 during a drought.

death-by-lulz:

hyperbolic-time-chamber:
There’s a lot to discuss here

This post has been featured on a 1000notes.com blog.

death-by-lulz:

hyperbolic-time-chamber:

There’s a lot to discuss here

This post has been featured on a 1000notes.com blog.

(Source: nickholmes, via occupiedmuslim)

redbloodedamerica:

#nature

redbloodedamerica:

#nature

(Source: ridge)

Space oddity by David Bowie.

Preformed by Chris Hadfield aboard the ISS.

kiameku:

Joachim Mogarra 2012

kiameku:

Joachim Mogarra
2012

fylatinamericanhistory:

collectivehistory:

Two women with cigarettes sitting in front of mural ca. 1966 by William Gedney (Duke Special Collections Library).

Diego Rivera’s Detroit Industry murals at the Detroit Institute of Arts, completed in 1933.

fylatinamericanhistory:

collectivehistory:

Two women with cigarettes sitting in front of mural ca. 1966 by William Gedney (Duke Special Collections Library).

Diego Rivera’s Detroit Industry murals at the Detroit Institute of Arts, completed in 1933.

maphugger:

Abigail Reynolds - Mount Fear (2010)
One of the coolest concepts in thematic cartography is the statistical surface: the act of representing numerical data as a 3D landscape.
Reynolds’ cardboard sculpture of London obliterates the city’s physical terrain and replaces it with one derived from crime data. The result is a mountainous and desolate landscape, one that offers a potentially more realistic representation of the hostilities of the urban experience. 

maphugger:

Abigail Reynolds - Mount Fear (2010)

One of the coolest concepts in thematic cartography is the statistical surface: the act of representing numerical data as a 3D landscape.

Reynolds’ cardboard sculpture of London obliterates the city’s physical terrain and replaces it with one derived from crime data. The result is a mountainous and desolate landscape, one that offers a potentially more realistic representation of the hostilities of the urban experience. 

(via fuckyeahcartography)